Simpler Times?

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Homemade Flute

I have often wished that I could play a musical instrument, but the learning curve seemed to be too steep. And while I have once or twice tested the waters (Learn Harmonica in 30 Minutes a Week!), I didn't have the energy to pursue it. My parents gave me a chance back when I was in elementary school. I missed catechism at St Bartholomew's that year because I was taking trumpet lessons at West Elementary in Hillsborough. It just so happens that I learned how to play the trumpet from the man that taught Ansel Adams how to play the piano. I take some comfort in the fact that Ansel Adams didn't become famous as a pianist, just like how I didn't become famous as a trumpeter. I can't wait to become famous for the other thing, just like Ansel Adams got famous for his other thing.


But I still wished I could play something and if I could have picked an instrument to play it would have been the flute. A couple months ago, I found designs on the Web for a make-your-own PVC flute. For less than a dollar, I got a scrap of PVC plumbing and followed the directions, and you're looking at the results. I am now the proud owner of my very own flute.

I've been able to pick out some songs on it, even though I can't read music. The trick seems to be that if I have a tune in my head, then I can play it with some practice. As it turns out, the tunes I have in my head are hymns, so I can play Amazing Grace, Turn Your Eyes Upon Jesus, and another one the name of which I can't remember, but if you were here I could play it for you.

What I love about the whole thing, is that I'm playing music right now without anyone telling me how to do it: no learn-to-play-in-thirty-minutes-a-week techniques, just me. I suppose I could take lessons some day, and maybe spend a few hundred on a real flute, but for now I'm loving that I'm enjoying a nice low-tech, low-cost musical renaissance. I'm still not famous, but I am enjoying myself.

Cartier-Bresson Has My Back

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Henri Cartier-Bresson on Natural Light

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Andy Goldsworthy on Tech

Sculptor Andy Goldsworthy writes on his process: "The work itself determines the nature of its making. I enjoy the freedom of just using my hands and 'found' tools - a sharp stone, the quill of a feather, thorns. I am not playing the primitive. I use my hands because this is the best way to do most of my work. If I need tools, then I will use them. Technology, travel and tools are part of my life and if needed should be part of my work also. A camera is used to document, an excavator to move earth, snowballs are carried cross country by articulated truck."*

I am very comfortable with this pragmatic approach to technology. The problem (here begins my opinion) is not technology, in itself, it's in the adoption of technology, or technique, as "the way" (or even "the best way") to fulfill a desire. When a community (artists, for example) discovers a piece of technology that makes a part of their job easier, or a technique is developed that introduces efficiencies into a process, this is not a bad thing, per se. But if technique precedes meditation, exploration, and inspiration, then creativity withers.

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*From the introduction, Andy Goldsworthy: A Collaboration with Nature.Take a look at Andy Goldsworthy's other books at Amazon.The DVD, Rivers and Tides is a very good documentary, rich and satisfying. Remember, if you can find these books at a local independent bookstore, get on your bike and go. Photo of The Neuberger Cairn (2001) at SUNY, is from Wikimedia Commons, and is in the public domain.